Interior Design
Interno
The interior architect works from the scale of the object to the scale of the city, passing by the private and the common. As a project manager, he rehabilitates and conceives; he builds the sensitive materiality of environments that he can draw. He plays with the spaces, the light, the colors but also with the personality of the client he works for. He summons and connects knowledge and explores the culture of the contexts in which he intervenes. Aware of the social and technical mutations, always bounded with others, he can answer to original projects and invent new uses.
MATERIALS AND FABRICATION TECHNOLOGIES
An interior design project involves many professions and therefore many products related to the extraction and supply of raw materials but also industrialization. All its products have different origins and production methods according to several criteria (project location, budget with provisions, desired atmosphere, etc. ). In Italy, a country with a very important global influence in the field of design, the creation and production of products related to interior design results in the majority of cases from local production. The development of Italian craftsmanship is at the origin of the current strength of "Made in Italy". Today, the artisanal techniques emblematic of Italy, are both requested and valued by the Italian population but also and above all by an international clientele in search of quality, passion, and originality.
The current challenge is to design projects that will remain faithful to the Italian identity while adapting harmoniously to the local specificities of our interior according to our geographical position. Italian creativity has found fertile ground and has been able to give life and preserve manual know-how of the great craft tradition. It is enough to travel around this beautiful country to appreciate a production always mixing traditions, art, and technologies, and to realize that the “Made in Italy” is the fruit of the work of craftsmen, small and medium enterprises. Unknown to the general public, however, their products are famous all over the world. These family businesses have deep roots in manual creation and invest in innovation to reinvent and strengthen their traditions. They thus demonstrate know-how and excellence, both in the use of new materials and in the search for a contemporary aesthetic language. The craft industry has therefore been able to reinvent itself and endure in order to achieve a revolution in present-day production through the transmission of know-how, the rediscovery of the values borne by the craft industry, and above all a questioning of today’s industrial production. The success of this Italian model thus seems to be attributed to this link between micro-enterprise clusters and the creativity of the people who work there.
